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See me in Create! Magazine's 54th issue celebrating
nine years of independent contemporary art publishing.
Tylenol Moon
36" x 36"x 1"
Acrylic on Canvas
“Tylenol Moon” is a dystopian commentary on the stifling fog of misinformation shaping American political life. A faceless family on vacation—figures without brains—stands in for how easily people detach from critical thought when conspiracy becomes more comforting than truth. The plane, balloon, and wind turbines orbit the scene like visual fragments of our national paranoia: chemtrails, wind-turbine hysteria, and pseudo-science wrapped in political theater. Under the Tylenol moon (don’t look at it—you might become autistic), the scene is both humorous and unsettling— a portrait of a country losing itself to the ridiculous.
Acrylic on Canvas
“Tylenol Moon” is a dystopian commentary on the stifling fog of misinformation shaping American political life. A faceless family on vacation—figures without brains—stands in for how easily people detach from critical thought when conspiracy becomes more comforting than truth. The plane, balloon, and wind turbines orbit the scene like visual fragments of our national paranoia: chemtrails, wind-turbine hysteria, and pseudo-science wrapped in political theater. Under the Tylenol moon (don’t look at it—you might become autistic), the scene is both humorous and unsettling— a portrait of a country losing itself to the ridiculous.
Don't Look Back
30" x 40"x 1"
Acrylic on Canvas
Don’t Look Back invites reflection on childhood. A woman leaves her past: a small girl with a heart cookie with a bite taken out of it, a candy heart, “Admit One” ticket, and a radioactive symbol mark the toxic memories we must let go of to move forward.
Acrylic on Canvas
Don’t Look Back invites reflection on childhood. A woman leaves her past: a small girl with a heart cookie with a bite taken out of it, a candy heart, “Admit One” ticket, and a radioactive symbol mark the toxic memories we must let go of to move forward.
Let's Face It
36" x 48"x 1"
Acrylic on Canvas
Let’s Face It is an acrylic on canvas exploring choice and fate. A faceless woman sits with a poppy as a man watches from a doorway. A hovering bee and distant house evoke fleeting moments and calm amid life’s unfolding complexities.
Acrylic on Canvas
Let’s Face It is an acrylic on canvas exploring choice and fate. A faceless woman sits with a poppy as a man watches from a doorway. A hovering bee and distant house evoke fleeting moments and calm amid life’s unfolding complexities.
Madonna of the Mall
36" x 48"x 1"
Acrylic on Canvas
Saintly halo? Check. Sacred relics? Not so much. Perfume, bracelets, cheesecake, and popcorn float like modern miracles in this tongue-in-cheek homage to our mall-obsessed culture. Devotion has gone commercial, and the altar is wherever you shop.
Acrylic on Canvas
Saintly halo? Check. Sacred relics? Not so much. Perfume, bracelets, cheesecake, and popcorn float like modern miracles in this tongue-in-cheek homage to our mall-obsessed culture. Devotion has gone commercial, and the altar is wherever you shop.
While Rome Burns
36" x 48"x 1"
Acrylic on Canvas
What began as an abstract idea transformed into a reflection on the Southern California fires. As the world shifted, so did the work—capturing not only the danger of the flames, but also the unsettling focus on recording over responding.
Acrylic on Canvas
What began as an abstract idea transformed into a reflection on the Southern California fires. As the world shifted, so did the work—capturing not only the danger of the flames, but also the unsettling focus on recording over responding.
Looks Like Rain
36" x 48"x 1"
Acrylic on Canvas
Be careful of what you wish for. A skeleton offering a flower to a woman looking skyward, distracted by shifting weather. Her toile shirt embeds overlooked issues—immigration, environment, women’s and LGBTQI+ rights—warning of what we fail to see until it’s too late.
Acrylic on Canvas
Be careful of what you wish for. A skeleton offering a flower to a woman looking skyward, distracted by shifting weather. Her toile shirt embeds overlooked issues—immigration, environment, women’s and LGBTQI+ rights—warning of what we fail to see until it’s too late.
Speak Up
36"x 36"x 1"
Acrylic on Canvas
Speak portrays the tension between silence and expression. It reflects on women who have lost rights and a voice, alongside those who still possess one yet choose silence, embodying resilience, restraint, and the weight of choice.
Acrylic on Canvas
Speak portrays the tension between silence and expression. It reflects on women who have lost rights and a voice, alongside those who still possess one yet choose silence, embodying resilience, restraint, and the weight of choice.
Going Up or Coming Down?
30" x 40" x .75
Acrylic on Canvas
She hovers in the space between falling and flying — a reminder that the same motion can feel like fear or freedom. Untied shoes, playful charms, and childhood memories accompany her ascent. Perspective decides whether this is a descent… or lift-off.
Acrylic on Canvas
She hovers in the space between falling and flying — a reminder that the same motion can feel like fear or freedom. Untied shoes, playful charms, and childhood memories accompany her ascent. Perspective decides whether this is a descent… or lift-off.
Beware of Men in Suits
30" x 40" x .75
Acrylic on Canvas
A surreal scene of a 1950s woman, drawn from a vintage photograph, slowly sinking into a pool. The work contrasts the attire of power and conformity with the fragile state of women’s rights, reflecting on time, memory, and the shifting balance of progress.
Acrylic on Canvas
A surreal scene of a 1950s woman, drawn from a vintage photograph, slowly sinking into a pool. The work contrasts the attire of power and conformity with the fragile state of women’s rights, reflecting on time, memory, and the shifting balance of progress.
Right side up or upside down?
30" x 40" x .75
Acrylic on Canvas
A surreal vision of a girl with an upside-down house spilling its contents through open windows. The work itself can be inverted—house upright, girl inverted—reflecting the disorientation of a world turned on its head.
Acrylic on Canvas
A surreal vision of a girl with an upside-down house spilling its contents through open windows. The work itself can be inverted—house upright, girl inverted—reflecting the disorientation of a world turned on its head.
Green Velvet Dress
24"x 30" x .75
2023, Acrylic on canvas.
2023, Acrylic on canvas.
Fluid
24"x 30" x .75
2023, Acrylic on canvas.
2023, Acrylic on canvas.
Avocado Toast
24" x 30" x .75
Acrylic on Canvas
A surreal take on influencer culture, sparked by the image of a well-known figure. Symbols of curated emptiness—avocado toast, cheerful mugs, iPhones, and text slang like ‘IDGAF’ —capture a world polished on the surface yet hollow beneath.
Acrylic on Canvas
A surreal take on influencer culture, sparked by the image of a well-known figure. Symbols of curated emptiness—avocado toast, cheerful mugs, iPhones, and text slang like ‘IDGAF’ —capture a world polished on the surface yet hollow beneath.
My Yard
24" x 30" x .75
Acrylic on Canvas
Acrylic on Canvas
Abigail's life is a circle.
24" x 30" x .75
Acrylic on Canvas
Acrylic on Canvas
The things we do. / Triptych, Part 1
24" x 30" x .75
Acrylic on Canvas
Inspired by the history of Section 14 in Palm Springs, this painting explores how people hide or manipulate actions for their own benefit. In the 1960s, the city forced out Black and Hispanic residents from an area owned by the Agua Caliente Band of Cahuilla Indians, denying basic utilities and eventually burning homes.
In the painting, a woman sits calmly, serene and seemingly unaware, while a fire burns among the palm trees behind her. The companion piece, The Things We Do. 2, shows a hand holding a matchbook with one match missing. The hand mirrors the woman’s in the first painting, suggesting her quiet complicity. Together, the works examine hidden actions, power, and the ways people shape—and erase—lives.
Acrylic on Canvas
Inspired by the history of Section 14 in Palm Springs, this painting explores how people hide or manipulate actions for their own benefit. In the 1960s, the city forced out Black and Hispanic residents from an area owned by the Agua Caliente Band of Cahuilla Indians, denying basic utilities and eventually burning homes.
In the painting, a woman sits calmly, serene and seemingly unaware, while a fire burns among the palm trees behind her. The companion piece, The Things We Do. 2, shows a hand holding a matchbook with one match missing. The hand mirrors the woman’s in the first painting, suggesting her quiet complicity. Together, the works examine hidden actions, power, and the ways people shape—and erase—lives.
The things we do / Triptych, Part 2.
12"x 12" x .75
Acrylic on Canvas.
Acrylic on Canvas.
Whats in Johnny's lunch?
Triptych
24" x 30" x .75
Acrylic on Canvas
Acrylic on Canvas
I ❤️ Tacos
16"x24"
Acrylic on Canvas.
Acrylic on Canvas.
Obsolete
16"x20"
Acrylic on board.
Acrylic on board.
Expect the unexpected.
30"x40"
Acrylic on Canvas.
Acrylic on Canvas.
Goldfish in Blue Jello
16"x20"
Acrylic on board.
Acrylic on board.
Blue Poodle Martini
16"x20"
Acrylic on board.
Acrylic on board.
No running around the pool!
16"x20"
Acrylic on board.
Acrylic on board.
Manhattan Sunset
16"x20"
Acrylic on board.
Acrylic on board.
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