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Tylenol Moon
36" x 36"x 1"
Acrylic on Canvas
“Tylenol Moon” is a dystopian commentary on the stifling fog of misinformation shaping American political life. A faceless family on vacation—figures without brains—stands in for how easily people detach from critical thought when conspiracy becomes more comforting than truth. The plane, balloon, and wind turbines orbit the scene like visual fragments of our national paranoia: chemtrails, wind-turbine hysteria, and pseudo-science wrapped in political theater. Under the Tylenol moon (don’t look at it—you might become autistic), the scene is both humorous and unsettling— a portrait of a country losing itself to the ridiculous.
Acrylic on Canvas
“Tylenol Moon” is a dystopian commentary on the stifling fog of misinformation shaping American political life. A faceless family on vacation—figures without brains—stands in for how easily people detach from critical thought when conspiracy becomes more comforting than truth. The plane, balloon, and wind turbines orbit the scene like visual fragments of our national paranoia: chemtrails, wind-turbine hysteria, and pseudo-science wrapped in political theater. Under the Tylenol moon (don’t look at it—you might become autistic), the scene is both humorous and unsettling— a portrait of a country losing itself to the ridiculous.
Don't Look Back
30" x 40"x 1"
Acrylic on Canvas
Don’t Look Back invites reflection on childhood. A woman leaves her past: a small girl with a heart cookie with a bite taken out of it, a candy heart, “Admit One” ticket, and a radioactive symbol mark the toxic memories we must let go of to move forward.
Acrylic on Canvas
Don’t Look Back invites reflection on childhood. A woman leaves her past: a small girl with a heart cookie with a bite taken out of it, a candy heart, “Admit One” ticket, and a radioactive symbol mark the toxic memories we must let go of to move forward.
Let's Face It
36" x 48"x 1"
Acrylic on Canvas
Let’s Face It is an acrylic on canvas exploring choice and fate. A faceless woman sits with a poppy as a man watches from a doorway. A hovering bee and distant house evoke fleeting moments and calm amid life’s unfolding complexities.
Acrylic on Canvas
Let’s Face It is an acrylic on canvas exploring choice and fate. A faceless woman sits with a poppy as a man watches from a doorway. A hovering bee and distant house evoke fleeting moments and calm amid life’s unfolding complexities.
Madonna of the Mall
36" x 48"x 1"
Acrylic on Canvas
Saintly halo? Check. Sacred relics? Not so much. Perfume, bracelets, cheesecake, and popcorn float like modern miracles in this tongue-in-cheek homage to our mall-obsessed culture. Devotion has gone commercial, and the altar is wherever you shop.
Acrylic on Canvas
Saintly halo? Check. Sacred relics? Not so much. Perfume, bracelets, cheesecake, and popcorn float like modern miracles in this tongue-in-cheek homage to our mall-obsessed culture. Devotion has gone commercial, and the altar is wherever you shop.
While Rome Burns
36" x 48"x 1"
Acrylic on Canvas
What began as an abstract idea transformed into a reflection on the Southern California fires. As the world shifted, so did the work—capturing not only the danger of the flames, but also the unsettling focus on recording over responding.
Acrylic on Canvas
What began as an abstract idea transformed into a reflection on the Southern California fires. As the world shifted, so did the work—capturing not only the danger of the flames, but also the unsettling focus on recording over responding.
Look Up
36" x 48"x 1"
Acrylic on Canvas
I love painting skeletons. In answer to what is going on in this country a woman with a message in her toile shirt: Oranges for immigration, a gavel for LGBTQ rights, Women with the symbol for no, and tree stumps for the environment. She is looking up when she should be paying attention to the skeleton giving her a gift. be careful of who you hold hands with.
Looks Like Rain: Be Careful of What You Wish For depicts a skeleton offering a flower to a woman looking skyward, distracted by shifting weather. Her toile shirt embeds overlooked issues—immigration, environment, women’s and LGBTQI+ rights—warning of what we fail to see until it’s too late.
Acrylic on Canvas
I love painting skeletons. In answer to what is going on in this country a woman with a message in her toile shirt: Oranges for immigration, a gavel for LGBTQ rights, Women with the symbol for no, and tree stumps for the environment. She is looking up when she should be paying attention to the skeleton giving her a gift. be careful of who you hold hands with.
Looks Like Rain: Be Careful of What You Wish For depicts a skeleton offering a flower to a woman looking skyward, distracted by shifting weather. Her toile shirt embeds overlooked issues—immigration, environment, women’s and LGBTQI+ rights—warning of what we fail to see until it’s too late.
Speak Up
36"x 36"x 1"
Acrylic on Canvas
Speak portrays the tension between silence and expression. It reflects on women who have lost rights and a voice, alongside those who still possess one yet choose silence, embodying resilience, restraint, and the weight of choice.
Acrylic on Canvas
Speak portrays the tension between silence and expression. It reflects on women who have lost rights and a voice, alongside those who still possess one yet choose silence, embodying resilience, restraint, and the weight of choice.
Going Up or Coming Down?
30" x 40" x .75
Acrylic on Canvas
She hovers in the space between falling and flying — a reminder that the same motion can feel like fear or freedom. Untied shoes, playful charms, and childhood memories accompany her ascent. Perspective decides whether this is a descent… or lift-off.
Acrylic on Canvas
She hovers in the space between falling and flying — a reminder that the same motion can feel like fear or freedom. Untied shoes, playful charms, and childhood memories accompany her ascent. Perspective decides whether this is a descent… or lift-off.
Beware of Men in Suits
30" x 40" x .75
Acrylic on Canvas
A surreal scene of a 1950s woman, drawn from a vintage photograph, slowly sinking into a pool. The work contrasts the attire of power and conformity with the fragile state of women’s rights, reflecting on time, memory, and the shifting balance of progress.
Acrylic on Canvas
A surreal scene of a 1950s woman, drawn from a vintage photograph, slowly sinking into a pool. The work contrasts the attire of power and conformity with the fragile state of women’s rights, reflecting on time, memory, and the shifting balance of progress.
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