Contemporary Pop Surrealist working in acrylic, investigating women’s narratives,
historical trajectory, and psychological space.

Original works available. Please email for details.

THE WORK

Leonora

Acrylic on Canvas
20” x 24” x1.5
Original available.
Please email for details.
She is both present and unreachable.
A reflection of identity shaped by perception and expectation.
From the series “The Mystics’”

Daughter of Woman

Acrylic on Canvas
36” x 48” x 1.5”

Inspired by René Magritte’s iconic painting The Son of Man, Daughter of Woman reimagines the surrealist motif through a contemporary female lens. A woman stands before a manicured hedge and swimming pool, her face obscured not by an apple but by a lemon bearing a commercial produce sticker.

The lemon introduces layered symbolism—suggesting bitterness, labeling, and the commodification of identity. By replacing the anonymous male figure of Magritte’s work with a woman in a vibrant floral dress, the painting contrasts feminine ornamentation with the concealment of individuality.

Both playful and unsettling, the work explores how women are seen, categorized, and defined within cultural and consumer frameworks. Through surreal imagery and quiet humor, Daughter of Woman invites viewers to question the ways identity is constructed and obscured.

Tylenol Moon

Acrylic on Canvas
36" x 36"x 1.5"

“Tylenol Moon” is a dystopian commentary on the stifling fog of misinformation shaping American political life. A faceless family on vacation—figures without brains—stands in for how easily people detach from critical thought when conspiracy becomes more comforting than truth. The plane, balloon, and wind turbines orbit the scene like visual fragments of our national paranoia: chemtrails, wind-turbine hysteria, and pseudo-science wrapped in political theater. Under the Tylenol moon (don’t look at it—you might become autistic), the scene is both humorous and unsettling— a portrait of a country losing itself to the ridiculous.

The things we do. / Triptych, Part 1

24" x 30" x .75
Acrylic on Canvas

Inspired by the history of Section 14 in Palm Springs, this painting explores how people hide or manipulate actions for their own benefit. In the 1960s, the city forced out Black and Hispanic residents from an area owned by the Agua Caliente Band of Cahuilla Indians, denying basic utilities and eventually burning homes.
In the painting, a woman sits calmly, serene and seemingly unaware, while a fire burns among the palm trees behind her. The companion piece, The Things We Do. 2, shows a hand holding a matchbook with one match missing. The hand mirrors the woman’s in the first painting, suggesting her quiet complicity. Together, the works examine hidden actions, power, and the ways people shape—and erase—lives.